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"Th' fost thing for a ticket to th' office aw crop… He'd printed it o in a minute! ":- The story teller's amazement at the ticket printing machine may be a reference to the Edmondson railway ticket machine named after its inventor, Thomas Edmondson. Previously, railway companies had used handwritten tickets, as was the practice for stagecoaches, but it was laborious for a ticket clerk to write out a ticket for each passenger and long queues were common at busy stations. A faster means of issuing pre-printed tickets was needed. There was also a need to provide accountability by serial-numbering each ticket to prevent unscrupulous clerks from pocketing the fares, since they had to reconcile the takings against the serial numbers of the unsold tickets at the end of each day. [Ref : http://en.wikipedia.org/wiki/Edmondson_railway_ticket] The Edmonson system was adopted by the Manchester and Leeds, the first section of which opened in 1839, so it is likely that the technology was adopted by the Manchester and Birmingham Company.

"Stop, stop" aw cried eawt, "ther's a mon lost his hat" :- When the story teller loses his hat he clearly expects the train to stop to allow him to retrieve it. That might have been the practice with stage coaches, and indeed, the heavier stage waggons travelled at a walking pace thus enabling passengers to jump off, retrieve fallen articles and then catch-up with the waggon. Early railway passengers were totally unprepared for speed of steam locomotives. There are reports of passengers being killed in the attempt to dismount a moving train in order to retrieve a hat.

This sheet music cover from about 1860 shows a man (bottom left) losing his hat.

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"We fill our barrows right up to our chin" :- Although this picture comes from much later in the century c1880 it gives a clear idea of the weight of earth moved in a single barrow.

This is a version of a song called "The Bold Navigators" (See Raven, John, Victoria's Inferno, ISBN 0950372234, British Library Music Collections X.439/8529) the chorus of whic is "For that's the rule of the bold navigators / For we are jovial banksmen all" and which lacks the first verse given here but otherwise is almost identical Canal building went on well into the railway age and navvies moved easily between the two sorts of contract. The reference to Barley-Bree does not occur in The Bold Navigators. Perhaps that song was taken up by Irish navvies who changed the chorus to suit a railway setting. This version of the song probably dates from soon after work began on the construction of the Liverpool and Manchester Railway in 1826 http://www.mosi.org.uk/media/33871623/theliverpoolandmanchesterrailway,construction.pdf although it is possible that it dates from the time of the construction of the Stockton and Darlington that opened in 1825.

 The "main plank wheel" is probably the wheel at the top of the barrow runs shown in this picture of the Tring cutting

The horse pulled the barrow and the navvy steadied the barrow as it was pulled upward. If the horse did not pull steadily, the barrow might become unstable. The navvy then had to judge which way to jump in order to avoid being crushed. In many cases the navvy came bounding down the ramp followed by the barrow. It was said that each man had numerous accidents of this type.

Reference: Thompson, Matt. The Picturesque Railway: the Lithographs of John Cooke Bourne (The History Press, Stroud, 2015) p41

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