Song Notes

[Note 491.1] The song was printed as a broadside by Harkness of Preston [Bodleian Library collection of broadside ballads Harding B 11(3157)]

mustashers - [Note 491.2] Railway companies liked to recruit ex-army men who they regarded as reliable and amenable to discipline. In keeping with that, the uniforms of railway servants were influenced by the design of military uniforms. From 1860 to 1916 it laid down in regulations that every soldier should have a moustache.

[Note 491.3] a "semberly" could possibly be a temperance assembly.
Railway mission in London were a major venue for temperance meetings.

[Note 491.4] Judith Flanders tells us that "there was a recognised hierarchy of door knocks" in London and quotes the German journalist Max Schlesinger who wrote "The postman give two loud raps in quick succession; and for the visitor a gentle but peremptory tremeol is de rigueur. The master of the house gives a tremolo crescendo, and the servant announces his master, turns the knocker into a battering ram…Tradesmen on the othe hand…are not allowed to touch the knocker - they ring a bell"

Reference
Judith Flanders, The Victorian City: Everyday life in Dicken's London (New York, Thomas Dunn Books, 2014) p86

[Note 336.1] Byron was hugely lionised during the early 19th century. The Dictionary of National Biography says that "Byron became a legend after his death. His influence on the art, music, and literature of the nineteenth century can scarcely be calculated"

[Note 336.2] When this song was published in 1846, railway share prices had already fallen from their 1845 peak and it was clear to many that were likely to fall further. (See notes on Bar 327, Railway Calls)

[Note 336.3] Parliament approved 3,000 miles of new railway during 1845 and a further 4,500 miles during 1846. The situation is illustrated in these two graphs from Freeman and Aldecroft's Atlas of British Railway History.

[Note 336.4] Naive investors drawn in and sold duff schemes sold on basis of extravagant or even fraudulent promises.

[Note 336.5] The railway was adopted enthusiasticly by ordinary people. This new mobility of the working classes was the cause of much comment and no little anxiety among the upper classes.

[Note 336.6] "Boxes" in this context almost certainly means "cases of larger size, made to hold merchandise and personal property" (OED). Given the original meaning of "Portmanteau" (see glossary) this interpretation of "boxes" is supported by the next line "So leaves off the portmanteau line and takes unto the trunk line". The railways quickly took over the long distance freight business. (See Theme 005, The Impact of Railways on Horse Powered Transport).

[Note 336.7] Railways carried horses and coaches on flat wagons enabling the gentry to travel in privacy. In 1839 the London & Brimingham announced that "gentlemen's carriages and horses must be at the station at least a quarter of an hour before time of departure". (Ref. The Grand Experiment : The Birth of the Railway Age 1820 - 1845)

[Note 336.8] As well as wildly overstating the likely profitability of the finished line, the proposals for new railways often seriously underestimated construction costs with the result that insufficient funds were available for labour and materials. In the year that this song was published, Brunel complained his costs had risen by 50% in one year. (Ref. The Grand Experiment : The Birth of the Railway Age 1820 - 1845)

[Note 336.9] Brunel was so forceful in his demands for the levelest possible track bed that the Great Western line came to be known as "Brunel's billiard table" (ref: The Grand Experiment : The Birth of the Railway Age 1820 - 1845). "Flats" in this context is a play on words referring to both the levelness of the track bed and the use of flat to mean a naive speculator.

The British Library catalogue lists several comic songs and theatrical pieces ascribed to James Bruton and published about the time of this song.

[Note 348.1] Railways first applied the term 'class' to the speed of the train not the fares or quality of accommodation. 'first class' trains being faster than 'second class'. By 1840 some railways were using 'first class and 'second class' to distinguish between rates of fare and quality of accommodation so the use of the phrase 'first class train suggests that the song dates from nearer 1840 than 1850 and that it may be a printing of something that had been in the oral tradition for some years

[Note 348.2] "Parish Board" Could be a reference to the Church courts, that often dealt with moral matters and cases of sexual impropriety and are so rich in wicked stories that they earned the nickname 'bawdy courts'. They had fallen out of use by 1850s . Alternatively it could be a reference to the Boards of Guardians set up to administer the Poor Law Amendment Act 1834

 

 

[Note 645.1] The Royal Train approaching Newcastle Central

[Note 645.2] Scott is probably John Scott (1802-1885) who was born in Morpeth (i). However no portraits of Victoria or Albert by Scott have been found so far.

(i) www.thewallingtongallery.co.uk/collections/john-scott-1802-1885

[Note 306.1] David Brookes says (i)  that Irish navvies were often concentrated at bridge and tunnel workings in order to avoid fighting between them and the English . The lines "The noise of our tools brave boys, does make the valleys ring / We will drive our piles and bore our holes, by one, by toe, by four" are suggestive of that sort of work.
(i) Brookes, David The Railway Navvy: That Despicable Race of Men. (Newton Abbot, David & Charles, 1983) p

[Note 306.2] Navvying was very hard work; even seasoned agricultural labourers (as Irishmen seeking work on the railway mostly were) found that, at first, they could only work part of a day until they had built up the stamina required.

Please publish modules in offcanvas position.